Using Middle Grade Books to Teach Creative Writing Concepts and Close Reading

As a librarian, I feel my approach to teaching creative writing serves a double-purpose of also being an opportunity to engage kids in the books in our collection. I read them passages from good books and get the kids excited about reading them. And now, when our doors are closed to the public, I find it even more important than ever to use every possible tool in my toolchest to keep kids reading and give them something to get inspired by.

So my most recent writing class was kind of an interactive book talk in which we delved into each book and uncovered writing lessons from it, using each book as a mentor text. I had a list to work from using the books that we are giving kids as prizes for summer reading. In the past, kids could go through a smorgasbord of books for their summer reading prize. Now they have to select one book from a list and get it via curbside pickup. In light of this I wanted to do some kind of virtual program that would book talk their choices. Creative writing did just the trick!

Hooks

To learn about writing a first page that will "hook" the reader, we read the first page of The Last Kids on Earth and the Cosmic Beyond written by Max Brallier and illustrated by Douglas Holgate. Jack, the narrator, tells the reader that he and his friends are about to be "astro-blasted. Catapulted and launched." We discussed why that beginning is exciting and then tried to write new first-sentences for fairytales, replacing "Once upon a time" with something scary or exciting that's just about to happen.

Character and Motif

We learned about writing quirky characters and running themes or motifs with an excerpt from Gabby Garcia's Ultimate Playbook by Iva-Marie Palmer and illustrated by Marta Kissi. We discussed how sports references are a major motif in the book and wrote our own characters who have hobbies or obsessions and how that could be used as a motif.

Tone and Perspective

We learned about tone by comparing two different passages from Front Desk by Kelly Yang. One passage presented the main character Mia's poverty in an upbeat way, focusing on how she and her immigrant parents try to make the best of it by enjoying things like "free air conditioning" whenever they can. The other passage presented a more painful view of the way poverty and hard work are wearing Mia down. One had a happy tone, the other was deeply sad. Then we tried to write about things that might be seen as either happy or sad depending on the person's perspective.

Humor and Fantasy

We got a funny perspective on fantasy and mythology in an excerpt from the book The Serpent's Secret by Sayantani DasGupta and illustrated by Vivienne To. In the excerpt, the main character Kiranmala informs us that riding a winged horse isn't all its cracked up to be. We played with some other ideas of cool experiences one could have, like riding a dragon, or growing your own wings, and tried to show a funny downside to them. This was probably my favorite activity of the class, judging from how well the kids did with it. They came up with great reasons why each cool thing would be a curse in disguise!

Mystery and Suspense

We learned about one of the key ways that the reader is kept in constant suspense in the mystery novel Finding Mighty by Sheela Chari. You never know whom to trust in this book, since almost everyone you meet is introduced as someone you shouldn't trust. The mystery of the brother's disappearance and the puzzling artifacts he left behind keep you guessing and turning pages! We did an activity working with story starters that could be the first sentence of a mystery story, and added sentences 2 and 3.

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Resources

Slides:

Kids' Writing Workshop: Summer Reading Inspirations from AnnMarie Ppl

Recording:

https://us02web.zoom.us/rec/share/_dckF5vTxEpJTpHpr0HDAIkZBIvPeaa8h3dI_PIFyx3jnf4ladr_v9ZHKmzerjWd

Using Great Books to Teach Writing Great Hooks

At my Kids' Writing Workshop yesterday, I updated a lesson I created a few years ago about writing engaging beginnings. I combed through the upper middle grade books at our library and looked through all of my favorites, seeing if the first line was something I would hold up as an example of a great "hook."

 You'll notice the selection of books is very eclectic. It's something I try to keep in mind when planning workshops for kids who have all different reading interests.

Not all good books have a gripping first line, but of the ones that do, I found a lot of patterns. I grouped these into five categories:

1. Give the Reader a Sense of Urgency and Danger (Adventure, Thriller)

The house is falling in. 

The house is falling in and Danny is falling, knees and elbows crumpling onto the floor, and an earsplitting crash is tearing through the air—that’s surely the roof, breaking in two, about to come pelting down on top of him.

--The Bookof Storms by Ruth Hatfield

2. Tug on the Reader’s Heart Strings (Sympathy, often for poverty or loss, often sad)

            It was fun at first, playing house.

            I made all my own meals.  Crackers and cheese, three times a day.

                        --Love,Aubrey by Suzanne LaFleur

            Wilhelmina knew that there were some houses that had glass in every window and locks on the doors. 

            The farmhouse in which she lived was not one of them.

                        --Cartwheeling in Thunderstorms by Katherine Rundell

3. Make the Reader Scratch His Head (Humor, Strangeness, Mystery)

            On the morning I was scheduled to die, a large barefoot man with a bushy red beard waddled past my house.  The thirty-degree temperature didn’t seem to bother him, but he must have had a lousy breakfast, because he let out a burp as loud as a tuba. 

            Belching barefoot giants who look like Vikings are not normal in Belleville, Indiana.  But I didn’t really get a chance to see the guy closely.

            At that moment, I, Jack McKinley, was under attack in my own bedroom.  By a flying reptile.

--The Colossus Rises by Peter Lerangis

How five crows managed to lift a twenty-pound baby boy into the air was beyond Prue, but that was certainly the least of her worries.  In fact, if she were to list her worries right then and there as she sat spellbound on the park bench and watched her little brother, Mac, carried aloft in the talons of these five black crows, puzzling out just how this feat was being done would likely come in dead last.  First on the list: Her baby brother, her responsibility, was being abducted by birds.  A close second: What did they plan on doing with him?

--Wildwood by Colin Meloy

4. Speak to the Reader Like a Trusted Friend (Narrative voice, Show the reader who you are)

            We only have a few hours, so listen carefully.

            If you’re hearing this story, you’re already in danger.  Sadie and I might be your only chance.

                        --TheRed Pyramid by Rick Riordan

            My name is Charlie Joe Jackson, and I hate reading.  And if you’re reading this book, you hate reading, too. 

            In fact, you do whatever you can to avoid reading, and the fact that you’re holding a book in your hand right now is kind of shocking.

            I know exactly how you feel; I’m one of you.

            Just remember: you are not alone.  We’ll get through this together.

--Charlie Joe Jackson’s Guide to Not Reading by Tommy Greenwald       

            All I’ve ever wanted is for Juli Baker to leave me alone.  For her to back off—you know, just give me some space.

                        --Flipped by Wendelin Van Draanen

5. Set the Scene (Not Just The Setting! Tie it to plot, themes, meaning of book)

            There is no lake at Camp Green Lake.  There once was a very large lake here, the largest lake in Texas.  That was over a hundred years ago.  Now it is just a dry, flat wasteland.

--Holes by Louis Sachar

            The fjord is freezing over. I watch it from the edge of the cliff near our hall, and each day the ice claims more of the narrow winding of ocean. It squeezes out the waves and the blue-black water, while it squeezes us in. Just as Father intended it to. Winter is here to wall us up, to bury us in snow and keep us safe.

                        --Icefall by Matthew J. Kirby

After we read these excerpts and talked about each writing style, I read selections from five other middle grade books and asked the kids which category each one would fall under:

• The Tiara on the Terrace by Kristen Kittscher
• Crispin: The Cross of Lead by Avi
• Crenshaw by Katherine Applegate
• The Name of This Book is Secret by Pseudonymous Bosch
• A Snicker of Magic by Natalie Lloyd

The kids really got into analyzing these opening lines for what kind of opening they represented. I love it when I see kids realize there are principles and theories that they can apply to their own writing.

Then we did an activity: the kids had to write two different openings to a story, and their peers voted on which one they liked better by holding up "A" or "B." I find that the method of having everyone vote on their favorite version is a kind and encouraging way of giving kids feedback on which piece was the most effective. The kids read their pieces aloud. We all guessed what kind of opening they wrote (1, 2, 3, 4 or 5) and then we voted which ones we liked best.

Here's a photo from when I did this a few years ago:

The other thing I like about this is that they can see that different people respond to different things. It's all very subjective, and that's how writing is.

I encouraged everyone to read The Tiara on the Terrace or The Wig in the Window by Kristen Kittscher, because she's going to be our guest instructor for our next workshop! I told the kids that I would have a prize for whoever asked Kristen the best question, and then they rushed to grab the library copies of her books.